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Hand blenders
Perfect blending results
Hand blenders
Perfect blending results
Hand mixers
Bring out the joy of cooking and baking.
Jug blenders
Blend sauces, icy drinks & more.
Food Processors
Compact. Intelligent. Strong. Unmistakably Braun.
Multifunctional contact grills
All in one. Perfectly grilled meat and much more.
Multifunctional contact grills
All in one. Perfectly grilled meat and much more.
Snack Maker
All your favorite snacks in a snap.
Coffee makers
Intuitive design. Inviting aroma
Coffee makers
Intuitive design. Inviting aroma
Water kettles
Fast and reliable with a unique design.
Citrus juicers
Fresh juice made fast & easy.
Toasters
A tasty, toasty start to your day.
Spin Juicers
Make the most out of your fruits.
PurEase Collection
Breakfast made beautifully. Morning made simple.
PurShine Collection
Brighten up your morning.
ID Breakfast Collection
Start the day your way. Breakfast made just the way you like it.
Breakfast Series 1
Just what you need. Start your day off right.
Identity Collection
Unmistakably you. Unmistakably Braun.
Tribute Collection
Purely what you need.
Steam generator irons
Top results faster & easier.
Steam generator irons
Top results faster & easier.
Steam irons
Flawless ironing quick & easy.
Hand blender attachments & accessories
Experience the versatility
Recipe collection
Fun and simple recipes from Braun.
Sanitization function
Kills more than 99.99% of viruses and bacteria¹.
Support & Service
How can we help you?
Personal care
Discover Braun's hair removal, grooming & skin care products.
Hired as an architect for redesigning Braun’s office Dieter Rams became one of the leading designers, who developed Braun’s memorable design language and defined the 10 principles of good design, a design manual that is still relevant today.
1 Good design is innovative.
The possibilities for innovation are not, by any means, exhausted. Technological development is always offering new opportunities for innovative design.
2 Good design makes a product useful.
A product is bought to be used. It has to satisfy certain criteria, not only functional, but also psychological and aesthetic. Good design emphasises the usefulness of a product whilst disregarding anything that could possibly detract from it.
3 Good design is aesthetic.
The aesthetic quality of a product is integral to its usefulness because products we use every day affect our person and our well-being. But only well-executed objects can be beautiful.
4 Good design makes a product understandable.
It clarifies the product’s structure. Better still, it can make the product talk. At best, it is self-explanatory.
5 Good design is unobtrusive.
Products fulfilling a purpose are like tools. They are neither decorative objects nor works of art. Their design should therefore be both neutral and restrained, to leave room for the user’s self-expression.
6 Good design is honest.
It does not make a product more innovative, powerful or valuable than it really is. It does not attempt to manipulate the consumer with promises that cannot be kept.
7 Good design is long-lasting.
It avoids being fashionable and therefore never appears antiquated. Unlike fashionable design, it lasts many years - even in today’s throwaway society.
8 Good design is thorough to the last detail.
Nothing must be arbitrary or left to chance. Care and accuracy in the design process show respect towards the consumer.
9 Good design is environmentally friendly.
Design makes an important contribution to the preservation of the environment. It conserves resources and minimises physical and visual pollution throughout the lifecycle of the product.
10 Good design is as little design as possible.
Less, but better - because it concentrates on the essential aspects, and the products are not burdened with nonessentials. Back to purity, back to simplicity.
1953 | Braun Factory
Braun Multimix Blender
The 50's established the milkshake as a western staple, enabled in part by the Multimix, the state-of-the-art blender with a detachable mixing glass container. It cuts ingredients with industrial-grade efficacy. Still widely in use today.
1957 | Gerd Alfred Müller
KM3/31
A hugely influential blender or “food processor” as it was known that birthed a whole new product category: “kitchen machines” or appliances. With its hyper-reduced, simple and useful design one of the most influential industrial products of all time.
1963 | Reinhold Weiss
KSM 1/11
Design doesn’t get much more minimalistic than this: a coffee grinder so purpose-built it needed just one, centrally placed button to operate. Finely ground beans were just a finger click away.
1963 | Reinhold Weiss
HT 2
This toaster’s sleek, reduced design so inspired renowned artist Richard Hamilton that he based one of his works (aptly titled ‘Toaster’) on it. Oh, and it also browned bread to perfection.
1972 | Florian Seiffert
KF 20
Com o seu design vertical, que se assemelhava a uma torre de água, o KF 20 era conhecido como o Aromaster. Reconhecida instantaneamente pela sua forma pouco convencional, esta cafeteira adicionou um toque de design exclusivo ao café de filtro matinal.
1972 | Jürgen Greubel, Dieter Rams
MPZ 22
O espremedor elétrico, também conhecido como citromático, é muito fácil de limpar e utilizar e tem estado em cozinhas de todo o mundo ao longo de décadas. Demorou mais de vinte anos até a Braun sentir necessidade de atualizar o seu design original.
1981 | Ludwig Littmann
MR 6
Precursora da mais sofisticada MR 500, a MR 6 era resistente, pois conseguia triturar e misturar alimentos que outras varinhas não conseguiam. Um passo importante no caminho para o aperfeiçoamento das varinhas mágicas Braun.
1984 | Hartwig Kahlcke
40 KF
Esta cafeteira gerou alguma polémica, por ser produzida em polipropileno económico e não em policarbonato mais resistente, o plástico mais utilizado pela Braun. Mas a sua superfície ondulada KF 40 foi uma solução de design que conquistou Dieter Rams.
2016 | Markus Orthey, Ludwig Littmann
MultiQuick 9
Uma varinha mágica Tudo em 1, que reúne as funcionalidades de vários utensílios em um único equipamento, simples e portátil. A definição de design minimalista: compacta, mas potente.
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